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Eighteen-year-old Shira (Hada Yaron) is the youngest daughter of the family and is about to be married off to a very promising young man of the same age. On Purim, her twenty-eight-year-old sister, Esther (Renana Raz), dies during childbirth, leaving her husband to care for the child and postponing Shira's promised match. When the girls' mother finds out that Yochay may leave the country with her only grandchild, she proposes a match between Shira and the widower, which leaves Shira to choose between her heart's wish and her family's wish to keep the child with them. FILL THE VOID was the 2012 Venice Film Festival winner for Best Actress (Yaron), and has been selected as the Israeli entry for the Best Foreign Language Oscar at the 85th Academy Awards. It will also be featured in the Spotlight Program at the 2013 Sundance Film Festival. (c) Sony Classics. Watch Fill the Void Instantly Movie Without Survey HERE

Story Line For Fill the Void

Fill
Release Date Fill the Void May 24, 2013 Limited
Genres Fill the Void : Art House & International,Drama


Total Vote User Fill the Void : Visitor
User Ranting Fill the Void : 3.8
User Percentage For Fill the Void : 80 %
User Count Like for Fill the Void : 574
All Critics Ranting For Fill the Void : 7.5
All Critics Count For Fill the Void : 21
All Critics Percentage For Fill the Void : 86 %

Actors For Fill the Void

Hadas Yaron,Yiftach Klein,Irith Sheleg,Chaim Sharir,Raiza Israeli,Hila Feldman,Renana Raz,Yael Tal,Michael David Weigl,Ido Samuel,Neta Moran,Melech Thal,Razia Israeli,Irit Sheleg,Razia Israely


Fill the Void Movie Review

I left Fill the Void feeling privileged, however briefly, to have been brought into this world.
Peter Rainer-Christian Science Monitor

Burshtein's cinematic experience has more than honed her quietly effective and inherently dramatic filmmaking style, it's deepened her gift for emotional honesty, for knowing the truth of a situation and how to convey it to an audience.
Kenneth Turan-Los Angeles Times

Both accessible and thrilling.
A.O. Scott-New York Times

A love poem to the ultra-Orthodox world as seen from within.
Ella Taylor-NPR

Practically an ethnographic film
Jordan Hoffman-Film.com

Trouble is, while the social milieu is nicely realized, other parts of the drama are not. Too often Burshtein cuts off a scene prematurely, darting away just as the crucial moment of emotion or confrontation appears.
Farran Smith Nehme-New York Post

To fill the void, means to simultaneously gain and lose. For Shira, she is keeping her family together at the cost of her own ambitions. It's a kind of self-sacrifice not seen in American films. Burshtein captures these delicate moments brilliantly.
Monica Castillo-Paste Magazine

Take it on its own terms, as a compelling emotional drama about an impossible situation.
Marshall Fine-Hollywood & Fine

a subtle, elegant movie that brings us into the structured world of Tel Aviv's ultra-Orthodox Hasidic community to show how one young woman navigates the demands of her religion and her family's expectations without losing herself in the process.
Laura Clifford-Reeling Reviews

Tonally, the film awkwardly straddles fluffy comedy and grief-stricken melodrama, hopping from one mode to other scene to scene.
Oliver Lyttelton-The Playlist

A lesser filmmaker would have condescended to this world, but Rama Burshtein, an Orthodox woman herself, treats it with abiding respect. Her movie is a masterpiece.
Robert Levin-amNewYork

Not exactly a Hasidic musical but close to it, the film delves into the complicated culture of Orthodox Jewish arranged marriages. And so to speak, a case of perhaps multiple choice matrimonial options managed in many ways by mom.
Prairie Miller-WBAI Radio

[Burshtein has] reinvigorated a familiar narrative by painting it against an unfamiliar backdrop.
A.A. Dowd-AV Club

A terrifically layered film that really leaves you thinking and wanting to talk about what you've just watched afterwards
Edward Douglas-ComingSoon.net

Israel's official submission for Oscar's 2012 Best Foreign Language Film is a stunning melodrama centered on an ultra-Orthodox Jewish community and prospects for a tragedy-fueled arranged marriage between a teen and older man.
Doris Toumarkine-Film Journal International

A dreary, tiresome dirge about passion and dis-passion, if memorably performed by impressive lead Hadas Yaron.
Shaun Munro-What Culture

The film unfolds in unhurried dramatic terms that come to take on an almost fatalistic force.
Andrew Schenker-Slant Magazine
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